Passionate About India

Uff! How vividly I remember that summer day – during the start of our summer vacations in class eleventh – when I went to watch this iconic film called QSQT. First day, first show. At the Paras cinema hall in South Delhi. All alone. Because of Juhi Chawla! Yes, only because of her, as I had become a fan of hers ever since she became Miss India! My friends had no such extra love for her and they refused to accompany me! I remember that the hall was as good as empty, with a handful of couples sitting far and wide! And what a film I enjoyed in the emptiness of that hall! For the next seven days, I kept going back to see the same movie with a different set of friends each time (with the last set of friends coming back repeatedly) as the crowds kept swelling. By the time we were watching the movie on the 8th day after buying tickets in ‘black’, QSQT was on its way to become one of the biggest blockbusters ever of Bollywood, and Aamir Khan one of the country’s biggest ever heartthrobs – at ...

In 1984, I was just 13 and way too young to know about a man called Yash Chopra. Having been brought up on just three films – The Sound of Music, My Fair Lady and Sholay (my brother, sister and I were allowed to watch the first two almost every Sunday if we wanted to, and Sholay whenever dad was in an exceptional mood!) – Mashaal was unbelievably only the second Hindi film we had been allowed to watch. Mashaal was like a cult classic! Dilip Kumar was like my father, high on principles and therefore always winning enemies; and those days, I was often made to feel like the vagabond that Anil Kapoor played in the movie. The film made me feel good, for, as Anil Kapoor changed and became a hero, I felt I also had a hero inside. My dad liked the movie not because he ever believed that he would have a role reversal in his life like Dilip Kumar had in the movie, but because watching such a role reversal at least made him happy somewhere deep inside, for very often, we all feel like hitting ba...

The movie Do Duni Chaar higlighted the power of simple truths & facts. This Alternative Budget based on agriculture is dedicated to Indians who deserve a less catchy & more simple theme Often, the most profound and transformational changes can be achieved by taking simple and easy decisions that are usually very hard to take. Those simple decisions become hard to take because we – particularly more so in India – have this inexplicable and inexcusable habit of trying our best to avoid reality; to blink and look the other way even when harsh realities stare at us unblinkingly. While brainstorming for the multiple award winning movie Do Dooni Chaar, we were very clear that the lead characters must be confronted with choices that are gut wrenching even though they appear simple. I personally think the movie touched a chord with people across India because it highlighted the power of simple truths and simple facts; and because it enabled ordinary Indians to transcend obstacles by st...

“History is a race between education and catastrophe.” H G Wells “All who have meditated on the art of governing mankind have been convinced that the fate of empires depends on the education of youth.” Aristotle I think this is the first time I have started a write-up with quotes from famous people. I normally do not do that, because I usually feel so strongly and passionately about issues that I simply start writing and words just flow out in a torrent. But I am making an exception this time. And I have strong reasons for doing so. Let me digress a little before stating them. This will be the 10th consecutive year that I have written and presented an ‘Alternative Budget’. This will be the 5th consecutive year that the ‘Alternative Budget’ appears in Business & Economy ( Yes, your favourite magazine – when it comes to sharp, incisive and thought-provoking intellectual analysis – is about to complete 5 years! ). For close to 10 years, I have been repeating ad nauseam that India can ...

I hadn’t read the book, but even before going for the film 3 Idiots, I had heard the movie was based on Five Point Someone. So after seeing the movie, I immediately congratulated Chetan Bhagat on the outstanding philosophy of his book! However, after the controversy, I thought of reading Five Point Someone... and immediately realised the crux of the trouble! The book and the film have about ten to fifteen percent similarity. The book is more of a diary on IIT days without taking a strong stance on anything and without inspiring anyone to think of changing the education system. It has got its locker room humour of friends and is a decent read. But after reading the book, you don’t start thinking of the education system and about how to change it. So, to say that the film 3 Idiots has a lot in common with the book, is totally incorrect... The Aamir character in the book is a plain rich guy who doesn’t like the education system but does nothing to change it either, completely unlike what ...

And Indian politicians remain as shameless as ever! The Oscars have been won – as expected! And it sure was a pleasure to hear Resul Pookutty speak about the power of silence and Om, and give Hollywood a chalk-talk lesson or two about Indian philosophy. It was also a great feeling to see the Indian living legend – A R Rahman – get something he more than deserved (though he has done far better work as well). The Indian film fraternity has some amazing green thumb talent; and some of them surely are at par with the world’s best. Thus, although only these two (Rahman and Resul) got the Oscar, I am sure there are many more deserving Indians out there who are no inferior. The only unfortunate thing is that the Oscars for them were awarded for a film that has been made clearly with one callow intention in mind – to draw up a caricature of every possible negative side that is there to India, for the sole viewing pleasure of western audiences – as I wrote in my editorial on the same issue a fe...

A phony poseur that has been made only to mock India for the viewing pleasure of the First World!! The emperor’s new clothes! That’s “Slumdog Millionaire” for you… Five minutes into this celebrated patchwork of illogical clichés and you are struck by the jarring dialogues. The cumbersome delivery in a language which doesn’t come naturally to most of the actors sounds like someone scratching on walls with one’s finger nails; it ruins the possibility of a connection… Had this film been made by an Indian director, it would’ve been trashed as a rotting old hat, which literally stands out only because of its stench, but since the man making it happens to be from the West, we’re all left celebrating the emperor’s new clothes. The film borrows an undoubtedly interesting narrative style – from films like “City of God” – but then uses it to weave in a collection of clichés from the Third World’s underbelly for the viewing pleasure of a First World audience. The real slumdog in the movie is not ...

First things first. I saw Lage Raho Munnabhai and enjoyed it totally. I was in splits almost throughout the movie and even had tears in my eyes just before the interval... and I am glad that the silly myth about sequels not working got broken twice over this year itself (earlier with Krrish), for, a good film works – sequel or no sequel. Further, I promise I am not one of those with an extremist bent, who want the film out of the halls for insulting the father of the nation. Every filmmaker has a right to express his version of ideologies or (even for the sake of commercial viability/comic relief) use Gandhi the way they want to, in – one can only pray – an aesthetic manner. If Rang De Basanti used the legends of Bhagat Singh and Chandrashekhar Azad to arouse patriotic feelings in a revolutionary manner, Lage Raho does try its bit to espouse the merits of Gandhism in a light-hearted manner (I hope the filmmakers originally had that as an aim, apart from the intelligent and successful a...